aaduna

The Enchantment and Mysteries of Sequel and Prequels

Your favorite movie or novel, in time, is followed up by a continuation of the original story with an expanded plot to entice you to expect a trilogy or the next chapter of the movie. When that process started to dwindle due to less than satisfactory follow-up some called the “2s” then the prequel surfaced. Now with the prequel we were able to experience what happened before the initial work that captivated our attention. Of course, memory of the original, and the sequel was important to put into perspective the prequel. So, here is the deal.

You can easily put into perspective the progression of a movie series or even novels, but what about poetry? If a poem was written at a different stage and sat in a desk drawer but influenced subsequent work, and then the poet releases the initial, probably forgotten desk drawer work to the public arena, is that work a sequel or prequel? And what if there is a volume of work that littered that desk drawer but not released until sometime later…sequel or prequel…and this issue becomes even more intriguing if the thematic basic of the earlier work “resembles” the more contemporary work. Ultimately the time sequence of poetry may not be that important…just something to think about.

Tiffany N. Haty

Tiffany N. Haty continues to define herself as an emerging writer and poet. Ms. Haty had her creative non-fiction work initially published in aaduna in the spring 2016 issue. With several years of being plagued with severe emotional problems under her belt, Tiffany’s writing draws heavily on dreams, images, mother nature, and multiethnic themes. She states that her writing is for people with an open mind; comes from her soul, and she may write about foreign cultures, distant lands, or her present reality. Regardless of the inspiration or thematic choice, Ms. Haty is clear that her writing comes from a place of love and respect for humanity. Tiffany was born and raised in the Pacific Northwest and currently resides in Seattle, Washington.

The forthcoming issue of aaduna will feature her poems. Here is the opening part of her poem, 

 “Nebet”  

Isis wings 

Wadjet's body is threaded in gold in the hall of strange cats 

I am Hetpet

I am Nebet 

He is Ra

I am a Ka

The late-night paparazzi encircles weird butterflies 

A pair of ambrosial Twins are escorted to Mata’s soiree in Lagos and Morocco among the falling ruins 

I am a mask 

A tall actor playing a Priest points a gun 

He fell through a trap door that led to espionage with a foreign Black man. 

The night valet wasn't really himself; he was being chased by a paid marksman sailing on a pontoon 

Murder. 

An ambassador flies

Open 24 hours 

Liquor

On air. 

Closed

Driver 

I am the night distilled in the Temple 

of the moon’s disk and daughter to the throne

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aaduna’s December 2023 issue coming at you towards the end of the month!

 

AN ONLINE ADVENTURE WITH WORDS AND IMAGES…

~ A globally read, multi-cultural, and diverse literary & visual arts journal established in 2010.

Help us build community! Share with your friends and colleagues. Visit us on facebook - @aaduna, Inc.

In search of what is known and what is unknown

One of the exciting and tantalizing expectations when approaching recently discovered creative work is simple and complex, simultaneously. You think you know what to expect; what the creative path intends, and then there is a subtlety, a nuance, a theme not observed initially. And from out “of left field” what you thought you knew is upturned. And your intellect (what you thought you knew) gives way; opens the door to your spirit as that emotional stance takes in what you sense in your heart that will be a wonderful discovery, an enriching experience.

Miriam Comfort Gyimah, Ph.D

Miriam Comfort Gyimah’s stories opens doors, windows, and any other structure that keeps one in while providing an out. She weaves words and themes to strengthen the emotional substance of her work. Born in Ghana, West Africa, she attended primary and secondary schools in Maryland. Her professional path has settled on university teaching and her full bio will establish her work and educational credentials. But…in this particular moment in time, her creative writing  encompasses what is known, what is unknown.

The forthcoming issue of aaduna will feature two of her stories. Here are teasers from those works:

“The Haunting”

There were long stretches of time when Julia wouldn’t see him, and she thought she would never

see him again, that the nightmares had ceased. But then it would happen again. Again, in the

same pajamas, he appeared by her side of the bed calling for his mommy. He looked so innocent.

So handsome. But he didn’t want him to return. She couldn’t bear the load his memory brought.

 

“Rosemary”

Since then, I always felt bad for her and a little sad each time I saw her scarred hand. I guess I felt

more this way because I was always afraid of getting injured, especially getting burned by fire. As

a child, by the age of eight, I had already broken a leg and worn a cast. I had even stayed at the

hospital for some time and my leg was in the cast for months. Although it itched and was

sometimes unbearable and made me unable to walk for a long while, it had healed, and my current

doctor said there was no trace of my broken limb. But being burned was another thing all together.

 

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Gyimah and aaduna.

aaduna and Gyimah. 

Late December 2023…coming.

AN ONLINE ADVENTURE WITH WORDS AND IMAGES…

~ A globally read, multi-cultural, and diverse literary & visual arts journal established in 2010.

Help us build community! Share with your friends and colleagues. Visit us on facebook - @aaduna, Inc.

aaduna will expand and re-energize the boundaries of your imagination…

Any literary/visual arts journal rests on the creative diversity and the richness of thoughts and themes of its contributors. Inclusiveness enables aaduna to attract a wide range of emerging poets, writers and visual artists, as well as established creatives who are seeking to broaden or develop a different thematic pathway for their work.  

With a return to a scheduled publication platform in 2024, the December 2023 issue will harken the “re-arrival” of an on-line journal that published its inaugural issue in February 2011.  

It has been a decades-old aaduna practice to introduce contributors before the issue containing their work is released. With that aura of tradition, we are pleased to present

Ámate Cecilia Pérez

 

Ámate Cecilia Pérez, a race equity consultant is the founder of Decolonizing Race and the Latinx Racial Equity Project. With a life purpose to end racism and oppression, she supports individuals and groups to healing from oppression, increase transformational leadership skills, and build equity by shifting organizational culture and systems. Prior to her social justice experience, Ámate worked as a print and radio journalist with several publications to her credit. One of her personal essays, “Dust Angels,” was published in The Wandering Song, an anthology of Central American writers living in the United States.   Ms.  Pérez  is a Kellogg Foundation National Race Equity and Healing Fellow as well as a Radical Hope grant receipt for innovation in race and healing. 

Ms.  Pérez  and her family fled the Salvadoran civil war in the early 1980s.  She grew up as undocumented child in Los Angeles and benefited from the 1986 immigration reform law. She has a B.A. from UCSD and a master’s degree in journalism from UCB. She now lives in Inverness, CA on unseeded and occupied Coast Miwok and Tamal Indian territory. 

The forthcoming issue of aaduna will feature her story, “Kiss and Don’t Tell” a riveting story that will grip and hold you in its sublime power as well as more of her bio information. 

Here are the opening sentences to “Kiss…” 

I almost vomited after my first kiss. The boy was three years older than me and in high school, but came to my junior high school dance in 1982. Cool Latino boys were either Cholos or rockabillies. The Stray Cats were popular then and when their song “Rock this Town” came on over the speakers, everyone jumped to the dance floor. 

Intrigued? 

Read the full story in late December 2023.


An online adventure with words and images…

~ a globally read, multi-cultural, and diverse literary and visual arts journal established in 2010.

Help us build community! Share with your friends. Visit us on facebook - @aaduna, Inc.

 

Fierce! Revisited! & Reframed

Fierce! Revisited! aaduna’s annual gala word/fundraiser held on Thursday, November 9, 2023 at the Carriage House Theater, Cayuga Museum of History & Art, 203 Genesee Street, Auburn, NY. (Pictured left to right) Doug Curry, special guest poet, bill berry, jr., aaduna CEO/publisher, Howard Nelson, special guest poet and featured Fierce Poets; Cyd Charisse Fulton, Karen Faris, and Tamara J. Madison.

Fierce! Revisited! & Reframed

blog post by Fierce Poet, Tamara J. Madison

Many thanks to bill berry, jr., Lisa Brennan, and aaduna for the invitation to share in the organization’s “gala word/fundraiser” on November 9, 2023. It was a full night of music and poetry, smiles and laughter, and deeply listening. The event featured three women poets:  Cyd Charisse Fulton, Karen Faris, and me, along with special guests, Doug Curry and Howard Nelson and vibes on the keyboard from Berny Williford. It was indeed a “fierce” lineup with a wide range of poetry, subject matter, and styles of presentation. There were moments when I was moved to tears by the subject matter: Bessie Smith, Tammy Terrell, lamentations of love lost, cries for healing and reparations, even a scolding from Mother Earth.

           I can track my beginnings with aaduna via an email from Keith Leonard on November 8, 2010 inviting me to submit poetry in consideration of the premier issue to be launched in February of 2011. The invitation was a welcomed surprise and I responded. Since that time, I have had several poems published via aaduna, work that I did not think anyone would ever publish because of the controversial nature of the content. aaduna would nominate my work for a Pushcart Prize in 2010. Later I would accept the invitation to work as a contributing editor in poetry for the publication. My relationship with aaduna also included a rendezvous with an international guest from Turkey, and events for colleges and community programs, such as the one that took place last week. I had not attended an aaduna event since November 2019.

           During Fierce! Revisited! while sharing remarks, bill mentioned that aaduna has always been about “history and legacy.”  Having 13 years of experience with the organization, I observed that aaduna is also committed to “emergence.” The organization has often taken risks mentoring and highlighting the work of “emerging artists and writers.” I am one of them. To say that I have grown and developed from my relationship with aaduna is an understatement. I have been “held and supported” in more ways than I could have imagined. aaduna and bill entered my life when I had lost a very deep and abiding friendship with a fellow writer and mentor in the arts. I was devastated to say the least. Remaining engaged with my art was critical “medicine” during the mourning process. I am most grateful.

           During the program last week, I witnessed the growth of each of us as writers and artists. It was obvious that each writer was committed to the craft and skill of writing and poetry, not just the content. Each writer was also committed to service beyond the art, raising awareness of community issues and honoring those who might not be able to speak for themselves. I was humbled to be among these poets and artists and participate in this event once again.

           I have since ruminated a bit on aaduna’s commitment to “history, legacy, and emergence.”  Honoring history is a way for us to inform ourselves while honoring our ancestors and their sacrifices. Being committed to legacy is intentional living and growth to serve those around us and those who come after us. Nurturing emergence is strengthening and securing the growth of new ideas, new pathways, and new vision. It is midwifery of nascence lending to healthy evolution. This is not only a mission for aaduna but a challenge for us all.

           Many thanks to aaduna for its commitment and tireless efforts to inform, shape, and shift the world around us. It is an honor to be a part of this history, legacy, and emergence! Happy 13th anniversary, aaduna!

 

Blessings, peace, and poetry!

Tamara J. Madison

 

Tamara J. Madison

Tamara J. Madison is a poet, writer, and editor. Her work has been published and recorded in various journals, magazines, anthologies, podcasts, and exhibits  including World Literature Today, Poetry International, Extract, Web del Sol Review of Books,  and Mom Egg Review.  Her work has also been published in the anthologies, SisterFire (HarperCollins), Temba Tupu (RedSea Press), and Check the Rhyme (LitNoire Press).

Her most recent poetry collection Threed, This Road Not Damascus is published by Trio House Press and was short-listed under the title, Breast Poems, in the 2015 Willow Books Literature Award.  Threed, … has been reviewed in Poetry International, Cider Press Review, Empty Mirror Review, and Cordella MagazineHer poetry has been nominated for a Pushcart Prize (2012 and 2022) and for Best of the Net (2019). She is also the author of Collard County (short stories), Kentucky Curdled (poetry), and Sistuh’s Sermon on the Mount (poetry chapbook). 

Tamara is the creator and host of BREAKDOWN: The Poet & The Poems, a conversation series on YouTube to spread awareness of poets and their poetry as inspiration and motivation for everyday life. She has also shared her poetry on the TEDx platform.

Tamara has performed and recorded her work for stage, television, and studio and facilitates creative writing workshops. She is a MFA graduate of New England College and an Anaphora Arts Fellow. She currently lives in Orlando, Florida where she teaches as a professor of English and Creative Writing at Valencia College. For more information, visit www.tamarajmadison.com.   


AN ONLINE ADVENTURE WITH WORDS AND IMAGES…

~ a globally read, multi-cultural, and diverse literary and visual arts journal established in 2010.

Help us build community! Share with your friends. Visit us on facebook - @aaduna, Inc

Doin’ It Right!

aaduna 6th annual fundraiser, “Celebrating the Legacy of Harriet Tubman in the Spirit of the Harlem Renaissance,” Thursday, Ocbober 27, 2022, Carriage House Theater, Auburn. NY (left to right) Vanessa Johnson, Howard Nelson, Lu Highsmith, Cyd Charisse Fulton, Luisa Aparisi-França, Chantel Frazier, Karen Faris, bill berry, jr. aka “Big Daddy Beaujolais.”

After an hiatus of three years due to the impact of the pandemic, aaduna returned to the Carriage House Theater with its fundraising gala that celebrated words, music and the unique relationship that should always be celebrated between creative artists and their audience. Harkening back to the ambiance, style, and nuances of the Harlem Renaissance, when and where creatives presented their work in various parlor rooms in Strivers’ Row brownstones, juke joints, clandestine speakeasies, after hour cubs as well as walk-up tenement rent parties. In all such situations, the artists had an interlocking relationship with their audience and supporters. Interestingly, Thursdays were the night-off for Black domestics who invariably framed their time to relax, party and become more then society’s disregarded citizens; citizens who could not see Black performers in Harlem clubs due to racial discrimination. aaduna has always been mindful of presenting ourstory; told our way; in our voices. Steeped in that spirit, the fundraiser has always been convened on a Thursday.

And if creatives are in fact “cultural workers” as defined by Amiri Baraka (aka LeRoi Jones,) their traceable legacy can easily be traced back to the ferocious, steadfast determination of Harriet Tubman and her freedom fortified spirit that still permeates 21st century society. There is a resiliency and fortitude that creatives and especially poets, writers and musicians bring to their work even if those characteristics are deeply held in the sub-consciousness.

An aaduna event recognizes and upholds generational, centuries-old legacies and such emboldening characteristics remain in the forefront of public events that embolden Tubman’s influence and ongoing transcendental commitment to the creative vitality of her “descendants,” the perennial elders of the Harlem Renaissance. The evening’s event was dedicated to the memories of two creative literary giants, Jackie Warren-Moore, poet, writer, activist and Charles Seabe Banks, poet, writer and visual artist.

With a multi-cultural racial and ethnic mix, intergenerational and gender diverse audience of approximately 75-80 participants, 2022 event supporters were from Rochester, Syracuse, Auburn, and various towns of Cayuga County supplemented by a small representation from Ithaca and other adjacent Tompkins County communities.

            The gala was not a banquet with streamers from the ceiling, balloon centerpieces on tables,  open bars, silent auctions, sparkling gowns and chic business menswear. {An aaduna gala celebrates the connectiveness that exists between creatives and their audience.}It was an event of camaraderie and listening; handclapping and finger snaps; eloquent words and rhythmic live music. It was a literary and music-driven event that is not easily replicated in the traditional way that poetry readings are presented. This gala presented  creatives whose words are not normally heard or recognized in Auburn. The featured poets and writers, the creative wordsmiths were 

 

Chantel Frazier

Cyd Charisse Fulton

Howard Nelson

Lu Highsmith

Karen Faris

Vanessa Johnson

Luisa Aparisi-França

 

The evening’s musical director was The Berny Williford and his six-piece Band

 

And making his return as MC was New Orleans styled 

Big Daddy Beaujolais

 

All creatives feted the

 

aaduna 6th Annual Fundraiser

 

 

After the audience departed the cabaret style theater set-up, an ongoing aaduna tradition happened.

The creatives celebrated each other by riffing thru new pieces; stringing together poignant words against the backdrop of free-form musical pieces. Without notice and as a surprise, the band celebrated Cyd Charisse Fulton’s mention of Sam Cooke’s “A Change Is Gonna Come” by telling her the next song was for her. And then the musicians rendered an unexpected and powerful vocal styling of Cooke’s classic song. After that performance, and then with the urging of bandmates, drummer Jamar Lacey ripped into the vocals of “Sitting on the Dock of the Bay” as homage to Howard Nelson’s poem where Nelson explored the monumental significance of Otis Redding and that particular Redding hit song on Nelson’s development as a person. Jamar initially protested and declined the urging to perform the song because he could not sing.

           

Jamar can sing!!!

 

The 2022 Gala Poets and Writers

Luisa Aparisi-França is a queer, non-binary Latinx writer from Miami, FL currently living in Scottdale, GA. Georgia. Her pronouns are she/they. She comes from a family that is Spanish and Brazilian and being raised in the US was a huge culture shock to the collectivist values they were taught. As a third culture kid, and someone who, for the most part, Luisa slides in and out of confines, and seeks to use language as a way of bridging divides. Her poems explore transitions, transformations, community, deconstruction, family, love, obligation, and the spaces we constantly create with each decision and interaction.

Howard Nelson has lived in Cayuga County since 1970 when he moved to the Finger Lakes region to take a faculty position at Cayuga Community College, an institution he retired from with the rank of professor emeritus.  His new collection of poems, “The Need Is Great,” is due out in 2023. Nelson has appeared at every aaduna fundraiser since the galas were conceived. His poems have appeared in numerous periodicals and anthologies and read on Garrison Keillor’s “Writer’s Almanac.” All the Earthly Lovers: Selected & New Poems was published in 2014.

 

Chantel Frazier is an emerging African American poet, born and raised in Syracuse, New York. After her high school graduation in 2013, she enrolled at Onondaga Community College, SUNY where she completed courses in English, public speaking, general psychology, and American sign language. In 2014, she left college to join the workforce as a certified nurse’s aide to support her family. Understanding the public’s negative attitudes towards her Syracuse community, she decided to “speak” from an unbiased point of view. Frazier’s poetry has found a home and her work will debut in the winter 2022-23 issue of aaduna.

 

Cyd Charisse Fulton is editorial assistant at Black Renaissance Noire, Institute of African American Affairs at NYU and founder of Emphat!c Press. A 2012 Pushcart Prize nominee, her work is featured in several publications, literary journals and she has published two chapbooks. Cyd was the speaker at the 2013 100th Anniversary Harriet Tubman recognition in Auburn. In 2018, her poetry manuscript “Equitable Rage” was read at “Fierce” co-sponsored by the National Park Service and aaduna and convened at the National Women’s Rights Historical Park in Seneca Falls, NY.

 

Lu Highsmith, designated slam Master for Rochester, NY’s first adult slam team, Roc Bottom Slam Poets, has published two books of poetry, "Vicissitudes: The Ups and Downs of Life" in 2008 and "Ascension into Love" in 2010. In 2012, Lu joined forces with her Grammy-nominated musician husband, Jimmie Highsmith Jr. on her first spoken word CD titled, “Ascension.” Performing in the 2018 Rochester Fringe Festival, 2019 Women’s Convention in Seneca Falls, NY, her poems have been published in several journals. Awarded the 2018 “Big Pencil” award from Rochester’s Writers & Books for inspiring literature among young people, Lu can be reached at www.lucreations.net for further information.

Karen Faris, poet, writer, visual/mixed media, and performing artist uses words as her primary medium of artistic expression. She has authored "Grumbles the Novel;" chapbooks “A Few Poems,” “The Strings of Motherhood, The Artist Book,” Before There Was Yonder” and “The Death of Compassion,” a 2020 chapbook, her work has appeared in several journals and literary sites.  Her performance piece, “Aliens Like Us” was performed at ArtRage Gallery in Syracuse, NY in 2017; reformatted, and presented as a full theatrical production at the Fringe Festival in Rochester, NY in 2019. Karen has exhibited her artwork at the 2018 Albany Gallery Members and the Cayuga Museum in 2019.

Vanessa Johnson is a playwright, writer, poet, storyteller in the West African tradition, fiber artist, consultant, activist educator, and musician with her literary band, Matie Masie. Her play, “Doors,” was presented in 2014 by the Paul Robeson Performing Arts Company of Syracuse. She is finalizing a new play, “Bar Codes,” which tackles human trafficking, a novel, and children’s book series. Teaching storytelling she uses her voice and art works to explore social justice movements and traditional stories of Africa. Ms. ,Johnson integrated and read her poems as part of her first solo quilt show, ‘Unwrapping Vanessa” at Syracuse’s ArtRage Gallery in 2017. Her 2019 visits to Ghana led to an official tribal leadership role.

 

The 2022 Gala Musicians:

Bernard Williford, a multi-instrumentalist keyboardist, plays bass, guitar, flute, trumpet and can lay down a mean set of vocals, was musical director for aaduna’s 2022 gala fundraiser where he played with members of his former group, Trumptight 315. Berny currently works for Syracuse University’s after school program; serves as minister of music for the Salvation Army Citadel, and also is the music producer for "Mate Masie" along with Vanessa Johnson. He has with major international  groups such as Earth Wind and Fire, Kool & the Gang, Parliament Funkadelic, as well as the playing at the New York State Fair for 10 years. He can be reached at bernywilliford@gmail.com

 * * *

Jamar Lacey, drummer, has been playing out with his father James Lacey since the age of 19.

Jamar developed a passion for playing drums in the church and also from his participation in a 6th grade band. He has played with several bands in the Syracuse area including Rodney King's Nightlife and Sammy award winning Stevie Wolf and The Blues Express band. Jamar is one the founders of the Syracuse, NY top band, Trumptight 315.  

 * * *

Don Clark born in Philadelphia Pennsylvania is the second of 10 boys and his oldest brother was the bass player for Harold Melvin and the Blue Notes for 25 years before passing away in 2008. Don has played with some of the finest musicians and bands in the Philly area, Syracuse and is currently playing guitar and musical director for Trumptight 315. Don has also been and still is the front man and guitar player for the Bobby Green's band, A Cut Above.  

* * *

Belinda Jones started singing as a young child in church and from there she began singing in an all-ladies group called, Ladies of Soul. For the past 10 years, Belinda has been singing as the lead female singer alongside her husband, the male lead singer Eric Love Jones, in the band  Trumptight 315. Ms. Jones states, “ I love singing and I will continue to share my gift by the grace of my mother to the world!”

* * *

James Lacey better known as Pop has been the bass player for Trumptight 315 for the pass 7 - 8 years. James has resided in Syracuse for the past thirty years and  has been playing bass probably for the same length of time. And in his humble and gracious manner and style states, I am also glad to be a part of this special occasion. Thank you.” 

* * *

Eric Jones was a special surprise vocalist for the gala.


 IN MEMORY

 

aaduna Volume 10 Issue 1: Chantel Frazier

Beloved Bruised Orange

 

Beyond our cities university is OUR land.

Land spectators don’t come to see.

Media shows toxic negativity within our community, but not much of the millennial minorities that are trying to break free from the day to day struggles they meet.

We all started out on the right path, a lot of us became alumni and others dropped out.

Soon enough we all would see what the real world was about, and that our broken school system only taught us to take a test before the time ran out.

The homicides and attempted murders that reside on every side of our city are only justified to someone less witty.

The families of the dead that are scarred say that they have taken this hoodstar thing too far.

We’ve marked some of our fallen Martyrs, giving them praise for the loss of their life while staying true to the gang.

In hustling street smarts come to play when making a living.

Most educate themselves learning how to legally stack their wealth, others fail falling victim to jail.

When we all see reality for what it is we will grasp a better view to the other side, where we all will meet at the finish line.

We are hard workers making constant money moves, and where I come from if you snooze you lose.

Continuing our education, building our own businesses.

We want that house on the hill too, some of us know too well what an eviction is.

Many of us are breaking out of the cycle we were forced in because we understand what’s at stake.

We all have lost classmates, friends and kin that we’ll never get back again.

When someone in our community is labeled an animal or a criminal for surviving the best way they know or can, the cycle continues and most boys won’t turn into men.

We are not rotten, our reputation is bruised and I’d like to show another view.

So if you're in your own bubble on top of whatever hill hopefully this book will create a different feel.

If you get an outside look in, hopefully you’ll be willing to understand that for some of us, this life we live is a cycle we’re forced in.

 

 * * *

Single Parent

 

Being a single parent with children in high school isn’t so easy.

This is the turning point where most teenagers found out life wasn’t so peachy.

Reality hits for most of us at a ripe age, like if I don’t go to work these bills won’t get paid.

I’m a single parent working three different shifts to make ends meet.

So Please don’t look down on me if my children are running the streets.

It’s not that home isn’t where I want to be, but the fact that no one else will do it for me. Three personalities, three different needs, emotional, physical and mental.

It’s my job to divide and provide.

Giving them not always what they want but always the necessity.

I give my guidance through my struggle, smile through my pain leaving myself enough personal time to cry in silence.

Overworking myself to balance out my wealth, putting aside my health.

It’s hard when it’s only you, but as a single parent it’s just what you have to do.

 

 * * *

Chose Me

 

I didn’t want to be a part of the hood, it chose me, I lived by the code as I played the streets.

I already said fuck school, no more picking up pens now I buss tools.

The hood was my family, I had no father figure to look up to.

There was my big bro, the one I ran the streets and did dirt with.

He never really taught me right from wrong in the hood, just how to make a buck quick.

And that gun had me ready to show off, I bet the hood would go crazy when it’s beef and I let this gun off.

I’m the shooter, number one on the most wanted list.

Visions of being the only one with cuffs on my wrists, I refuse to go down as a snitch!

Before banging, the streets looked so appealing it was just a hangout spot.

Well at least that’s what I thought until my friend got popped.

Losing your close friends to beef leaves a stain on your heart. After all you live by the code you die by the code, it’s up to you to play it smart.

“You are what you eat” goes along with who you hang with. So I wasn’t surprised when they said I was gang affiliated.

Now I’m a target for the other side, the police & those other guys.

Take time to understand why things happen to learn your lesson.

Don’t get lost in your upset and get your life taken away by either the system or a smith and Wesson.

 

* * *         

 

Broke

 

Broke is what they’ll call you.

You run out of money and it haunts you.

What this word does is break you down mentally.

Making you feel like without money you aren’t where you’re meant to be.

Don’t let someone else’s interpretation of “broke” stomp you.

You can have all you need and have no green.

Keeping in mind being broke is only a temporary thing.

Not like breaking something that you won’t be able to put it back together again.

But if your bills are paid it’s okay if you won’t be going out on the weekend.

Those who let money rule their world, end up the most empty inside with a drawer full of diamonds and pearls.

Because they thought material things were a necessity.

When their money was gone so was their feeling of being complete.

Don’t worry about someone else in a different lane or you’ll start to see the need to compete.

Remember money doesn’t grow on trees and it’s up to you to choose if it will be your priority.

 

* * * 

 

Re-Entrification

  

We can rebuild this city from the inside out.

Let’s buy back the block, show them what our hood is really about.

Building our own empires, getting our names up.

If that means we have to change up and let our goals rearrange us, we must.

We can’t be pushed out or let ignorance become what we’re about, they expect us to give up without a doubt.

So it’s up to you, do you want to be a part of the new view?

To have something to pass down to a younger you.

I know I do, if I have it in me then you do too.

To walk into a business owned by your peers of the same race.

A hair salon where you walk in frowning and don’t leave until those fluffy light skin hands rearrange your lace.

How about a bakery? Where treats by Trice are baked and displayed faithfully.

Going to a restaurant where Balla cooks from her personal menu.

Chocolate faces that resemble you.

Orchestrated dance classes by Ken where you can join your child too.

Wearing designer clothes from Jhom’e & Cmenchi, this was meant to be.

Let’s stretch our bodies and our minds with yoga sessions from Courtney.

It’s been a tough road but with art we are reminded.

Those portraits by Rahm & Jaleel will leave you so inspired.

Showing us our roots, adding our beauty in each picture.

Wide nose big lips,

You know, the most common chocolate mixture.

I’m saying this because I want to be a voice that speaks this into existence.

We can build this city back up as long as you pay attention and listen to your intuition.


Meet the Poet

Chantel Frazier is an African American poet, born and raised in Syracuse, New York. After her high school graduation in 2013, she enrolled at Onondaga Community College. While attending, Chantel completed courses in English, public speaking, general psychology and American sign language. In 2014, she left college to join the workforce as a certified nurse’s aide. Growing up on Syracuse's south side, Chantel faced personal struggles as well as witnessing her peers' challenges. Although her peers had come from different backgrounds and circumstances, they were seen in the same light by many. She grew to understand the view regarding her community was covered by a veil that could only be lifted by someone willing to speak from an unbiased point of view. Discovering this in her early twenties, Chantel depicted the world around her gathering the personal stories of her peers, immediate family and her own into a poetic explanation of life during and after high school. Ms. Frazier sheds light on the societal misconceptions surrounding the teenage upbringing of African American students, washing away the idea of a cyclical bruised community never waking up to their calling of healing themselves…

aaduna Volume 10 Issue 1: Luisa Aparisi-França


LIGHT FILTERING THROUGH THE GOLDEN BANANA LEAVES

 

I often push myself past the point of breaking

surging through surf

always needing to be called back from the brink.

 

Tell me that it’s ok to stop straining.

 

Swimming is such hungry work.

 

When I don’t hold the reins in my hands

I feel like a failure.

 

I think of every place where I ever felt low

wandering aimlessly through a plaza

 

trapped in the bathroom at Churchill’s

or stuck in my hometown

 

like a drop of ink diffusing into water

blind as the day is born

which is why I now believe

that the worst pain

comes from standing still.

 

Take my blood and make it new.

 

I don’t know why I bear so well

when I never even wanted children.

 

I think of you in gold

like beads of water clinging to a web

or your rings resting on my nightstand

as we spiral into a kiss.

 

Mouths parted

I am more myself under you.

 

Something about being taken care of

has always felt like a trap

where, like a river

I feel everything from you

flowing into me.

 

Sometimes, when I’m not feeling well

I make sure that my hands don’t rest on my partner.

 

There is so much contagion already.

 

I want to go back to joy.

 

It’s so hard to be let in. To let others in.

 

I see a bird’s nest tucked away

in the letter C of the Lucky Nail salon sign

and remember all of my troubles with intimacy.

 

I want to unmoor you

build like a wave

and watch every single one of your lives

 

—Paris, Brazil, Milan—

 

your friend craning his neck

to look back at you over his shoulder

with gilded eyes

 

standing in a water filled doorway

you are living in a past life

and already moving past it

in a city that looks like a warehouse

where your fingers undo the basting stitches on my suit

and teach me the word for hat making.

 

You wear me well

the way I feel sitting

in front of that Rothko painting

with its layers of rust red and buttery yellow

not wanting to think about how he died.

 

You tell me about experiential art

van living, try to take a picture

of a car speeding down the road

with a fake tail light made out of cloth

because there is beauty in choosing your resilience.

 

Fingers stained with tannin

I want them in my mouth

because I crave queer communion

where our bodies are our own

and our stars need not be linear

or near to matter.

 

Standing outside in the morning

I am moved by the light filtering

through the golden banana leaves

how it holds its own as it travels the air.

 

Because I only understand service

as an extension of someone else

I reach out for the ghost of you

curled up next to me

and am surprised to find

that I am holding myself.

* * *

WHALE FALL

The other day I learned about whale falls

which is when a whale dies and sinks down

to the ocean floor.

 

It's an elegant turn of phrase

the way you might say someone is sleeping

rather than dead.

 

There are times when I feel as if every room I walk into

is a small death

the crushing weight of having to justify why

I should be paid enough or even

treated with some semblance of respect

after letting slip a kindness.

 

I wipe down the counters in a coffee shop

feeling for the ribs of the whale

its giving carcass.

 

I feel its pulse, the steady rise and fall.

It could feed a village, if only it cared to.

How did Jonah feel inside the belly of the whale

having been thrown overboard

after refusing to be god’s prophet?

 

Why do we think that circumstance can force love?

 

I remember seeing the movie Whale Rider.

How that little girl dug her heels into the whale's sides

so much trust placed in gentleness.

How it carried her deeper and deeper

'til she almost died

bringing her back blue and hospitalized.

 

Is that what it takes? a small death to change us?

 

I don't want to turn bitter under this clear sky

because wherever a whale falls

it's supposed to bloom.

 

I think of how thin the geology of immigrant families is.

How if one layer cracks, the one above it sinks

setting back a generation.

 

Why is it so hard to channel

the noble beast

I am trying to become?

 

When a whale falls, its bones

become a reef.

First come the sharks and fish and lobsters

to pick the bones clean

then the bacteria begin fermenting

the marrow for food

dissolving my backbone

melting my sinews

until at last, my great jaw comes unhinged

I offer up my eyes

and open

 

 * * *

 

MIRACLE OF BECOMING

 

Sometimes, I forget

that I'm cherished

passed from empty mouth

to empty mouth

I am the message

you have been waiting for

wrapped in the afterthought

of someone else's

leaving.

 

There is so much

room

to roam.

 

When I do my kettlebell workouts

to strengthen my arms

and lower back

I forget that I am glass

fios de ouro

 

fragile like

the semiprecious stone

my mother's friend gave me

her grooved fingers

holding the stone up to the light

the way someone, somewhere

held my face once.

 

You once called me honorable

and I have been chasing the Sun

of your expectations

ever since.

 

Swallowing it whole

as snakes do eggs

—light smudging

the corner of my mouth.

 

I am pure lotus eater.

 

I want you to reach me.

Plunge into and out of

my depths

reveal the true lady of the lake

(though I always felt more prince

than princess)

 

water rushing off of me

in sheets.

 

Mouth open, gasping.

 

Each layer gone

making me a little lighter

as my feet try to find solid ground.

 

Good god.

What miracle of Becoming

is this? 

Meet the Poet

Luisa Aparisi-França is a queer, non-binary Latinx writer from Miami, FL. Her pronouns are she/they, and she also identifies as a demigirl. Coming from a family that is Spanish and Brazilian, being raised in the US was a huge culture shock to the collectivist values they were taught. As a third culture kid, and someone who, for the most part, slides in and out of confines, Luisa seeks to use language as a way of bridging divides. Her poems explore transitions, transformations, community, deconstruction, family, love, obligation, and the spaces we constantly create with each decision and interaction.Whatever it is, the way you tell your story online can make all the difference.